SAXON - Sacrifice Track-By-Track Review Available SAXON will release their new album,
Sacrifice, on February 22nd in
Europe, February 25th in the UK, and February 26th in North America,
through UDR.
Taking a sharper, re-invigorated approach to the production, on
this, their 20th album, Saxon have produced 10 of their strongest,
heaviest and most inspired songs for many-a-year, and a more than worthy
successor to their last album, A Call To Arms, according to a press
release.
“Less tricks, more power!”, roars frontman and founding father Biff
Byford. “My brief to the band was to be raw, be real and not be afraid
to look back at the old classic material for inspiration.”
BraveWords' Mark Gromen has given the album and 8/10 in the track-by-track overview below:
I was critical of the last studio effort, for being more of a hard
rock album than outright metal. No such ambiguity here! While
pre-release press has Biff Byford mentioning thrash, there's no need to
worry that these Englishmen have undertaken a major stylistic re-write.
The intensity has been upped, guitars in particular are heavier and
faster, yet it doesn't come at the expense of their infectious abilities
as song smiths.Early momentum wanes, before ending strong. Nine new
songs, the opening 'Procession' being nothing more than a jungle
soundtrack (myna bird calls and the like), akin to the audio portion on
some Disney theme park ride. There is a bona fide tenth track,
'Luck Of
The Draw', albeit available exclusively as an iTunes download. The
limited, digi-book edition features a second disc, containing five
re-worked Saxon originals.
'Sacrifice' - Gritty and aggro, from the get go. Ties into the Mayan
/ indigenous South American cultures (live human sacrifice) which also
graces the cover art.
'Made In Belfast' - Opening with acoustic lilt of Irish jig, that
reappears later in the tune, this is a historical ode to the shipyards
of that fair city, an industry which birthed the likes of the Titanic
(although that ill-fated vessel is never mentioned).
'Warriors Of The Road' - Like the roar of the Formula 1 engines it
references, this one tears out of the gate and never downshifts. Think
'Stallions Of The Highway' on steroids! Crazy guitar flourish at the end
'Guardians Of The Tomb' - First real tempo change from the frenetic
start, beginning with a somewhat Asian acoustic melody. That quickly
gives way to more Western sounds, especially guitar driven music.
Lyrically refers to the terra cotta Warriors that "guarded" Chinese
emperor's final resting places.
'Stand Up And Fight' - Despite the traditional Saxon lyrical
territory, something of a throwaway, musically as well. "It's you
against the world, stand up and fight"
'Walking The Steel' - A mid-tempo song dedicated to the post-9/11
rebuilding of the Word Trade Center in NYC. "Rising from the ashes, for
all the world to see. Rising like the Phoenix, towards the sky... The
Twins will stand, hope will never die."
'Night Of The Wolf' - A little acoustic guitar, at times all by
itself, in juxtaposition with electric six-string barrage. "Hear them
calling, night of the wolf. Barking at the moon."
'Wheels Of Terror' - Was worried about the seemingly recycled hit
title, but this deals with "Battle tanks of war." After several songs
that seemed to loose/step down the initial enthusiasm, this is generally
wall-to-wall guitars.
'Standing In A Queue' - Personal experiences of Biff on the road (especially dealing with hamstrung situations in the USA).
Of the digi-only extras, there's an orchestra backed
'Crusader',
complete with opening "Who dares battle the Saracen" voiceover and
backing vocals, come the chorus. Hard to improve on the original, if you
ask me. Strangely enough, there's also a re-recorded version of
'Just
Let Me Rock', which appeared with the aforementioned on that album of
the same name. Neither it, nor 'Forever Free' (now twenty years old, but
still not quintessential Saxon) offer anything new. The remaining pair
are both acoustic takes, practically bookending the band's career. First
there's 'Requiem (We Will Remember)', originally off Solid Ball Of Rock
and one of my favorites,
'Frozen Rainbow' from the debut, which remains
dear to my heart, having grown up with its non-traditional Saxon
stylings ('Still Fit To Boogie').