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Messages : 5254
Date d'inscription : 20/05/2012
Localisation : saint céré

MessageSujet: R.I.P. LEGENDARY PRODUCER ANDY JOHNS   Lun 8 Avr - 17:31


Production legend Andy Johns has died at the young age of just 61.
This is the latest from Billboard:

Andy Johns, the veteran producer and engineer who worked on classic albums by Led Zeppelin, Rolling Stones, Jimi Hendrix, Van Halen and many others, has died at the age of 61. The news was confirmed to by guitarist Stacy Blades,
who was working on an untitled project with Johns until the producer
was hospitalized last week. No cause of death was immediately available
for the British-born Johns, the younger brother and uncle, respectively,
of fellow producer/engineers Glyn Johns and Ethan Johns. However, Blades said liver trouble was one reason why Johns had been hospitalized.

Twitter quickly filled up with tributes: Red Hot Chili Peppers and Chickenfoot drummer Chad Smith wrote that Johns "made some of my favorite all time records," while former Deep Purple and Black Sabbath member Glenn Hughes tweeted "Larger than life-You are loved Andy." Former Go-Gos member Kathy Valentine's advice was to "Crank up #ExileOnMainStreet and help send his soul off to the big mixing board in the sky."
Born in Surrey and a student at the King's School in Gloucester, Johns
put aside an early ambition "to be the next greatest bass player of all
time" to follow his brother into the studio world. "It looked a lot
better than working," Johns told Universal Audio. He began his career as
a tape operator at London's famed Olympic Studios, helping Eddie Kramer on sessions for the Jimi Hendrix Experience's "Axis Bold as Love."
"In those days you could go into one studio and Joe Cocker was
working, and then you're working with Jimi Hendrix in Studio One, or
down the corridor Eric Clapton is doing something,"
Johns recalled. "It was a serious center. A lot of talent was there." Johns produced early albums by Blodwyn Pig ("Ahead Rings Out"), Humble Pie ("As Safe As Yesterday Is," "Town and Country") and Free ("Free," "Free Live!," "Heartbreaker"), as well as Television's landmark "Marquee Moon" in 1977.

Johns' engineering resume, meanwhile, was dotted with landmark sets by the Stones -- including "Sticky Fingers," "Exile On Main Street," "Goats Head Soup" and "It's Only Rock 'n' Roll" -- Led Zeppelin's “II" through "Physical Graffiti" as well as albums by Mott the Hoople, Jethro Tull and many more. Johns relocated to Los Angeles during the 1970s, where he worked with Van Halen, Joni Michell, Ozzy Osbourne, Cinderella and Eddie Money. Over the past dozen years he worked on albums by Hughes, Godsmack, Taylor Hawkins & the Coattail Riders and others.
Johns once told music tech blogger Bobby Owsinski that the key to his
approach was taking a total overview to the sound of a piece. "I don't build mixes...I start with everything," Johns explained. "Most
of the people that listen to and tweak one instrument at a time get
crap. You've just got to go through it with the whole thing up because
every sound affects every other sound."

Johns also told Universal Audio that to him "fidelity is obviously of
prime importance. My idea is to make it sound as if you are in the best
rehearsal that the band ever did, and you are about 12 feet back from
the stage, in a nice rehearsal place...You're supposed to be there and
feel them playing."

Joe Satriani recalled that Johns' philosophy was key to Chickenfoot's 2009 debut album. "He was great at capturing very evocative performances," Satriani said. "He
was great at capturing the chemistry between rhythm sections, and he
knew exactly how to layer rhythm guitars. He knew when you just needed
one or if you need 15. I was all about the composition and the band.
Andy always knew when there was something good to record, and when he
didn't like something he would tell you that you were full of sh-- and
leave the room -- which was good, too, because sometimes you need
somebody to set you straight."

Steve Miller said Johns inspired his last two Steve Miller Band albums, 2010's "Bingo!" and 2011's "Let Your Hair Down," which were recorded at George Lucas' Skywalker Studios. "Andy and I were working on a live concert DVD that he was mixing (2007's 'Live From Chicago')," Miller remembers, "and
he said, 'Boy, I would really love to do a guitar album with you.' The
next thing you know, we go into Skywalker and cut 42 tracks. And doing
guitar overdubs with Andy is so much fun, you never want it to end. It
was like back in the early days when we were making records in England.
He's the monster man for all the Led Zeppelin records and the Stones and
stuff. He's just a great engineer and a really good co-producer to work

Johns' sons also went into music: singer-songwriter Will Johns has released a pair of albums, including 2012's "Hooks and Lines;" while Evan Johns played drums in the band Hurt.
Funeral arrangements for Johns were pending at press time."

Andy John's was a legend. And he is gone way to soon, like so many others before him. His credits are quite extraordinary -
And he was a really nice guy. And I must say from a personal
perspective, my music collection is filled with Andy Johns' name. I
thought I'd take another look through Andy's cast production credits and
pull out my favourite albums he has helmed. They are:

Hughes/Thrall - Hughes/Thrall (1982), Night Songs - Cinderella
(1986), Perfect Timing - McAuley Schenker Group (1987), Loud and Clear -
(1987), Sahara - House of Lords (1990), For Unlawful Carnal
Knowledge - Van Halen
(1991), Under the Influence - Wildside (1992),
Waking the Dead - L.A. Guns
(2002), Tales from the Strip - L.A. Guns
(2005), Chickenfoot - Chickenfoot (2009).

For a little reminiscing, you can read once again my 2004 interview with
Andy - which was a real joy to conduct. I just wish he had allowed me
to include the story about him, Eddie Money, a pile of cocaine and some ladies of the night....

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